There was a talk about the art direction and lighting from Frozen in Curzon cinemas on Shaftesbury Avenue. The talk was given by Michael Giaimo, the art director on Frozen and Mohit Kallianpur, the director of cinematography and lighting. It was a very informative and fun talk on a subject that I am very much interested in within the game art that I do at home. These are the moments that I am very glad to be in London for the amazing things that happen here sometimes.
Here are some notes that I made.
The first step to making the movie was research, lots and lots of research. They went online to look for photo references and found out that 80% of those pictures were from Norway. They took a trip to Norway and made a crazy amount of pictures there. The landscape was heavily influenced by the fjords, and the architecture and character design was influenced by the culture. They showed lots of pictures with all the different style elements they used and how the style came to be.
They gave useful tips as well. For example in the character design they used lots of bright colours and heavy saturation and all the characters except for Elsa as ice queen also had black in their clothing to balance them out.
They showed lots of style elements that you may not have noticed before. For example Elsa's cape as ice queen is literally a snowflake, and the design of the ice palace was based on a snowflake as well. Which apparently was one of John Lasseter's ideas.
The talk then switched over to the lighting and colour choices of the overall movie in response to the mood. They talked about getting a very saturated environment within a snowscape. And about the odd choice to use yellow (which is a warm colour) for the 'everything-goes-to-shit scene' which, because yellow had not been used in the entire movie except for the happy song by Olaf the snowman, worked very well. It also made a nice contrast, yellow for both the brightest and darkest scenes in the movie.
All in all it was a very informative talk and I am very happy to have been there.